《蘇州河》，城市記憶，和觸感電影 Suzhou River, Urban Memory, and a Tactile Cinema
女性的鏡界：歷史，性別，和主體建構－－兼論馬曉潁的《世界上最疼我的那個人去了》 The Female Cinematic Imaginary: History, Subjectivity, and Ma Xiaoying’s Gone Is the One Who Held Me Dearest in the World
從鮑威爾看《英雄》與《羅生門》的敘事結構 On Bordwell's Narratology: A Case Study of Hero and Rashomon
殖民地的隱喻：以佐藤春夫的臺灣旅行書寫為中心 The Metaphor of the Colony: A Case Study of Satou Haruo's Travel Writings in Taiwan
跨族群翻譯與歷史書寫：以李昂〈彩妝血祭〉與賴香吟〈翻譯者〉為例 Cross-Ethnic Translation and Historiography: The Instances of Li Ang's ＂Rouged Sacrifice＂ and Lai Hsiang-yin's ＂The Translator＂
靈異先行：解構與多異／譯／憶的單語主義 Echoes from Elsewhere: Deconstruction and Monolinguism of the Other
