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政大中文學報
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| 201612 (26期)期所有篇 |
- 蘇軾及楊萬里詩中山水的擬人化 On Personified Nature in Poems of Su Shi and Yang Wan-Li
- 重層的自我影像：抒情傳統與現代媒介 Mirroring the Self: Chinese Lyrical Tradition and Modern Photography
- 河工、光線與視覺有限性：論《老殘遊記》的景物描寫 River Engineering, Rays of Light and Visual Limitations: On Scenic Descriptions in The Travels of Lao Can
- 意象與肌理──由1930年代漢語詩明白／晦澀的論爭談起 Image and Texture: On the Debate over Clarity/Obscurity in Modern Chinese Poetry in the 1930s
- 左翼詩學與感官世界──重讀「失踪詩人」鷗外鷗的三、四十年代詩作 Leftist Poetics and the Sensory World: Re-Reading Poems of the “Missing Poet” Ouwai Ou of the 1930s and 1940s
- 想像與嫁接──荀子傳經系統的建構與問題 Construction and Creation: The Systemization of Xunzi's Teachings of the Classics and its Problems
- 清道咸時期程朱理學的轉化－－以方宗誠思想為觀察線索 Fang Zong-Cheng and the transformation of the Cheng-Zhu Confucianism during the period of Dao-Xian
- 鄭用錫詩歌特色重探 A New Discussion of Zheng Yongxi's Poetry
- 1940年代「九葉派」詩論──以袁可嘉為例 Poetic Theory of the “Nine Leaves School” in the 1940s: Yuan Kejia As A Prime Example
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