| 英文摘要 |
Zhou Ji's essayism consists of three aspects: literary view, creation theory, and composition theory. In terms of literary view, he is up-to-date. His literary thought attaches special importance to ''understanding the history context'' to bring into play the benefits of ''being practical when administering affairs''. He also inherited the spirit of ''integration and convergence'' from the Yanghu School in order to achieve the theory of creation of ''interoperability of literature and art''. The theory of creation was inherited and closely related to his theory of lyrics, which can be divided into the theories of ''text disposition'', ''contemplation and solitude'', and ''sentiment in writing''. In the theory of ''sentiment in writing'', not only Zhang Huiyin's meaning of metaphor and sentiment was inherited, but the method of ''no writing without sentiment, sentiment invisible in writing'' was also proposed, which complements Zhang Huiyin's method of commentary and emphasizes the artistic quality of the work itself. In terms of the theory of composition, it is a blend of painting and literature, to discuss the method of composition via the method of painting based on the theory of ''interoperability of literature and art''. Thus, the theories of composition such as ''natural formation'', ''real and imaginary'', ''pause and transition in rhythm and reverberation'', and ''outlining and turning'' were proposed. Zhou Ji's lyricism can be regarded as the backbone of the Changzhou School of lyricism; however, Zhou Ji's essayism is also inherited and created, rich in wonder and splendor. |