李維楨復古詩學中的《詩經》觀

Li Weizhen’s View of the Book of Songs in His Retro Poetics

李維楨（1547-1626）是明代王世貞所選定的「末五子」之一。他在堅守復古派文學立場的同時，也提出了轉向，以及和他派兼容、折衷的可能。李維楨雖沒有理論的專著，但他對於《詩經》的標舉，不論是提出的次數還是立論的強度，都算是一個特出的現象。他以《詩經》來概括、調整復古派詩學的論述，重新闡釋文學史的次序，以及創作取法的標準和批評論點，是一種對於復古詩學的重構，藉以回應晚明時期的文壇之弊，調和各文派之間的衝突。

Li Wei-zhen (1547-1626) was one of the ''Last Penta Scholars'' of the Ming Dynasty selected by Wang Shi-zhen. While adhering to the literary position of the revivalist school, he also proposed the possibility of turning and being compatible and compromised with other schools. Although Li Wei-zhen has no theoretical monographs, his praise of ''The Book of Songs'', whether it is the number of times he puts forward or the strength of his arguments, is a special phenomenon. He used ''The Book of Songs'' to summarize and adjust the discussion of ancient poetics, reinterpret the order of literary history, and the standards and critical points of writing methods. And also reconcile the conflicts between the various literary schools.