英文摘要 |
For a long time, Du Fu has received people’s attention and praise for his true nature under a life full of bitterness. From this perspective, reading was just as a means of understanding Du Fu’s life and personality. However, we should read his work not as a “means” but as an “end.” Through revisiting Du Fu into this viewpoint, it is found that he almost regards himself and his own life as literary material. In other words, it seems that his life exists for the sake of his works. Although Du Fu has been widely recognized as a “realist poet,” he did not simply depict the actual world. Instead, he recaptured and described the side of reality that were often overlooked, and even attempted to delineate parts of reality that were invisible to the naked eye. In the past, animals and plants appeared with their roles fixed in literary conventions, and they became allegorical symbols for people. Nevertheless, in Du Fu’s works, creatures were portrayed in their natural state without any symbolic connotations. In his poetry, humans and other living beings existed equally in the world. This worldview was unique in Chinese literature. |