英文摘要 |
Dating back to Greco-Roman and medieval European folklore, legends, and romances, texts about werewolves unveil the mystery of lands and disclose multifarious conceptions of humanness and its variants. The motif of bodily change shatters the fundamental understanding of humans and explains why werewolf texts were often treated as media for cultural, religious, and socio-political negotiations during their times. Taking Emmanuel Lévinas’s ethical theory and Gilles Deleuze and Félix Guattari’s concept of becoming as its theoretical framework, this paper analyzes the depictions of (were-)wolves in Topographia Hibernica and Wolfwalkers, with particular attention to the cross-cultural conflicts in Ireland. The first aim of this study is to scrutinize how the werewolf texts portray change and metamorphosis as threatening but simultaneously spotlight their potential to challenge the self-other boundary; the second aim is to understand how the isolated and otherized werewolves influence their communities and surroundings through the process of return and reunification. By looking into the unstable, sometimes contagious, werewolf bodies, the paper rethinks how the change of bodies propels the reconsideration of self-other relationships and how bodily contagion leads to emotional resonance, affection, and becoming. |