初探池田理代子漫畫作品《凡爾賽玫瑰》之風格與女性意識

A Preliminary Study of Ikeda Riyoko's Comic Work ''Rose of Versailles'' Style and Female Consciousness

1972年至1973年在日本《瑪格麗特》（Margaret）雜誌上連載的漫畫《凡爾賽玫瑰》（ベルサイユのばら），為「花之二十四年組」中池田理代子（Ikeda Riyoko，1947-）的經典代表作品之一，池田理代子在少女漫畫的基礎上，加入了歷史元素，突破當時少女漫畫的界線，成為第一部將歷史融於少女漫畫的作品，具有承先啟後之關鍵地位。故事講述在18世紀末由波旁王朝所統治的法國，以華麗豪奢的凡爾賽宮為故事的主要背景，譜寫出兩位女主角──法國瑪麗王后與將軍之女奧斯卡，在歷史與宿命中各自感情線的延展。《凡爾賽玫瑰》漫畫結合法國大革命的歷史事件、真實人物和虛構角色，與池田理代子柔和細膩的筆觸、彷彿電影般的分鏡、詩歌般的漫畫對白，以及對於漫畫背景的力求真實，使讀者置身於一場18世紀糾葛之命運中。筆者希望透過分析漫畫文本，來尋找構成這部少女漫畫的元素。主要分成三點：法國大革命歷史、繪畫風格以及對女性意識進行初探，並總結《凡爾賽玫瑰》在日本為何具有影響力之重要因素。

From 1972 to 1973, the comic ''Rose of Versailles'' (ベルサイユのばら) serialized in Japan's ''Margaret'' magazine is the '' Year 24 Group '' Ikeda Riyoko (1947- ), one of the classic representative works, Ikeda Riyoko added historical elements on the basis of shoujo manga, breaking through the boundaries of shoujo manga at that time, and became the first work to integrate history into shoujo manga, with a key position of inheriting the past and inspiring the future. The story is set in France, which was ruled by the Bourbon dynasty at the end of the 18th century, with the gorgeous and luxurious Palace of Versailles as the main background of the story, compose the two heroines, Queen Marie of France and Oscar, daughter of the general, the extension of their respective emotional lines in history and fate. The ''Rose of Versailles'' comic combines the historical events of the French Revolution, real and fictional characters, and Ikeda Riyoko's soft and delicate brushstrokes, movie-like storyboards, poetry-like comic dialogues, and the pursuit of authenticity for the comic background, put the reader in the fate of an 18th century entanglement. I hopes to find the elements that make up this shoujo manga by analyzing the manga text. It is mainly divided into three points: the history of the French Revolution, the painting style, and the preliminary exploration of female consciousness, and summarizes the important factors why the ''Rose of Versailles'' is influential in Japan.