陳夢林諸羅書寫的文化建構――以檨圃、北香湖與玉山三景為研究中心

The Cultural Construction of Chen Menglin's Writings in Zhuluo Taking Mango Garden, Beixiang Lake and Jade Mountain as the Research Objects

地景並不只是物理上的空間，而是歷史記憶與文化資本的載體。清康熙年間，陳夢林（1664-1739）來台灣編纂《諸羅縣志》，在書中提出「諸羅六景」的說法。並且另外創作詩文作品〈檨圃〉、〈九日遊北香湖觀荷記〉、〈玉山歌〉與〈望玉山記〉來闡釋當中檨圃、北香湖與玉山等三景的文化價值。在「標奇領異」之外，透過對地景的刮除重寫、價值附加與文化鏈結，陳夢林在作品中成功將漢文化的脈絡置入這些地景中，更依附在地景成為後世的歷史記憶，或以文化資本的型態被再現。

Landscape is not just a physical space, but a carrier of historical memory and cultural capital. During the reign of Emperor Kangxi of the Qing Dynasty, Chen Menglin (1664-1739) came to Taiwan to compile the 'Zhuluo County Chronicle', in which he put forward the theory of 'The six attractions in Zhuluo County '. In addition, he created poems and prose works such as 'Mango Garden', 'Beixiang Lake Viewing Lotus in Double Ninth Festival ', 'Jade Mountain Poem' and 'Seeing The Jade Mountain ' to explain the cultural value of the three scenic spots: 'Mango Garden', 'Beixiang Lake 'and 'Jade Mountain'. Through the scraping and rewriting of the landscape, value addition and cultural connection, Chen Menglin successfully placed the context of Han culture into these landscapes in his works, and attached more to the landscape as the historical memory of later generations, or the use of cultural capital.