長江水上的孤獨身影──論先唐至宋代詩賦的「大小孤山」書寫

The Lonely Figure on the Yangtze River--Poems by the Dagu shan and Xiaogu shan from Pri-Tang to Song Dynasty

本文析論先唐至宋代詩賦對「大小孤山」的書寫，分作三個章節探究，為對大小孤山的發現、感思、戲擬。蓋先唐和唐代詩人好以全景式的視角觀看大小孤山，相較之下，宋代詩人的特色是漸有邊景式的作品，能突出「孤山」之「孤」的特質。而也因為對「孤山」的發現，故較諸先唐及唐代，宋代詩人更常抒發對「大小孤山」的感思。除此，宋代更開創了戲擬式書寫，將「孤」轉音為「姑」，視山為人而調笑之。凡此種種，一方面顯示了詩人們對「大小孤山」豐富的書寫面向，二方面也呈現先唐至宋代詩賦創作的遷變。

"The article is to analyze poems by the Dagu shan and Xiaogu shan from Pri-Tang to Song Dynasty. It is divided into three chapters: the discovery, thoughts and parody. The Pri-Tang and Tang dynasty viewed the Dagu shan and Xiaogu shan with a panoramic view. In contrast, the poets of the Song Dynasty gradually viewed with a side view, which can highlight the solitary characteristics of Dagu shan and Xiaogu shan. Because of the discovery of ''Lonely Mountain'', the poets in the Song Dynasty more often expressed their feelings about Dagu shan and Xiaogu shan. In addition, the poets of Song Dynasty pioneered the parody of writing, treating Dagu shan and Xiaogu shan as a person, and teased and laughed them. Above all, it shows the rich writing orientation and the changes of poems from the Pri-Tang to Song Dynasty."