多重的觀看：談侯孝賢《紅氣球》之影像書寫

Multi-Watching on the Image Writing in Hou Hsiao Hsien Le Voyage du Ballon Rouge

侯孝賢的《紅氣球》為其第一部法語電影，雖向阿貝．拉摩利斯1956年的《紅氣球》致敬，但侯孝賢卻透過他所慣用的影像書寫，使其《紅氣球》不僅是致敬的影片。本研究嘗試比較侯孝賢和阿貝．拉摩利斯二部影片後，分析侯孝賢在其《紅氣球》中採取第三隻眼冷靜旁觀的鏡頭語言下，使得其影片有今昔的觀看、活力女人的觀看、藝╱異文化的觀看等多重的觀看，呈現侯孝賢其個人對生活在現代城市下生存狀態的觀感。

Le Voyage du Ballon Rouge (Flight of the Red Balloon) is Hou Hsiao Hsien's first French film and was paid respect to The Red Balloon, a French film produced and directed by Albert Lamorisse in 1956, but Hou used his unique image writing to make his film have a different presentation. The aim of the study is to compare Hou's and Albert Lamorisse's films to find out that with the third-person point of view, Hou examines the film from diversified perspectives: the view of the past and the present, the view of vital woman, and the view of artistic/alien culture to explore the life attitude under the modern city by himself.