戒嚴時代台語電影「異色片」初探

A Preliminary Study of the Taiwanese“Erotica Film”in Martial Law Period (1949-1987) in Taiwan

1962年起，由於政府管制日片在台上映，台語片度過了第一次衰退期，拍攝量為國語片的11倍，但盛世危機仍已見苗頭。電視對台語片的衝擊比前一波走私日片更甚（官方支持的彩色國語片受影響較少），這時唯一的強心針（也是電視與國語片不敢碰觸的題材），就剩下賣弄女體的「異色片」了。本文將從當時媒體的報導與部分記者與影星的回憶，探討台語異色片的興起與衰退，並試著檢討因長期戒嚴而不分級的電檢尺度，即使在解嚴前，新聞局已准許台灣電影以「限制級」送審，業者仍沒能力挑戰情色這一領域，連國片裡「女性復仇片」只是單純暴露局部女體的技術也不嫻熟。戒嚴對台灣電影技術的傷害，至今仍未完全走入歷史。

Since 1962, as the Taiwanese government controlled the release of Japanese films in Taiwan, Taiwanese films have experienced the first recession, and the number of shots is 11 times that of Chinese films. However, the crisis of Taiwanese movies has still appeared. The impact of TV dramas on Taiwanese movies is more serious than that of Japanese movies, but officially supported color Mandarin films are less affected. At this time, the only strong-hearted needle is also the subject matter that TV dramas and Mandarin films dare not touch, leaving the“erotica film”that sells the female body. This article will discuss the rise and decline of Taiwanese erotica movies from the reports of the media at the time and the memories of some reporters and movie stars and try to review the scale of film inspections in Taiwan due to long-term martial law, even before the martial law is resolved. Taiwanese films are being submitted to the“restricted level”for trial. The film industry still has no ability to challenge the“erotic”field. The Mandarin film“Female Cheats”is just a technique that only exposes the female body. The damage caused by martial law to Taiwan's film technology has not yet fully entered the history.