宋元卦變圖說之承衍──論明代章潢《圖書編》中的卦變圖說之重要內涵

The Reception and Derivation of Guabian Tushuo in the Song and Yuan-On the Essence of Guabian Tushuo in Zhang Huang's Tushubian

宋代《易》學發展，不論從象數與圖書的開展，或是義理化思想的象數方法運用，卦變說為時代《易》學的重要命題。隨著圖書之學的風尚，原始於京房八宮卦次的泛卦變圖式制說，以及歸本於虞翻與《說卦傳》，並由李之才新立的相生與反對卦變為根柢的諸家卦變圖說，不斷應運而生，內容與形式也展示多元之面貌。圖說發展至明代，延續未歇，章潢《圖書編》之輯述，視為宋明時期的翹楚與集大成者，有關卦變的圖說，除了代表章潢《易》學圖說的重要主張外，也反映出自京房與李之才卦變說流衍至明代的重要意義。本文主要以章潢《圖書編》的卦變圖說為核心，勾勒其有關的卦變圖說之具體內容，包括從八宮卦次之卦變圖說、六十四卦相生卦變圖說、六十四卦反對卦變圖說等三個面向，進行考索分析，探討有關圖說的實質內涵，以及其歷來的流衍系譜與圖說所傳遞的重要意義，最後並進行有關圖說之總結。

Discourse on guabian卦變played a crucial role in the development of several traditions of Yi learning during the Song dynasty. As tushu圖書increased in popularity, numerous guabian theories were proposed on the basis of Li Zhicai's李之才doctrines of xiangsheng guabian相生卦變and fandui guabian反對卦變. These theories, which exhibited diversity in both content and style, evolved continuously throughout the Song, Yuan and Ming. Among the numerous texts on guabian composed during this period, the Tushubian圖書編, compiled by Zhang Huang章潢, is regarded as one of the most valuable and representative works. Within the Tushubian, tushuo圖說that were related to theories of guabian not only express Zhang's views regarding the significance of Yi learning, they also reflect the historical evolution of Li's conception of guabian. The present study analyzes the content of the guabian tushuo in Zhang's Tushubian, particularly with respect to the theories of bagong guaci八宮卦次, liushisi gua xiangsheng六十四卦相生, and liushisi gua fandui六十四卦反對. In addition, the article discusses the reception and derivation of tushuo, explores the important meanings conveyed within them, and draws conclusions about their intellectual significance.