以自然書寫觀點閱讀後3．11的原發文學作品－熊．馬．羆熊示現的默示錄

Post 3.11 Nuclear Power Plant Literature as a Nature Writing: The Apocalyptic Revelation Which Bears, Horses, and Brown Bears Have Shown

主題聚焦於人類與大自然關係的文學作品，被稱為「自然書寫」（nature-writing），且有效地被運用於探索人類與大自然（生態．環境）間的關係之上。「自然書寫」擁有「場域的成覺」、「環境問題文學之關聯」、「交感與表像」等3大特色，將以此3大特色為依據探討後3．11、以動物（熊．馬．羆熊）的視點來描繪核能課題的作品川上弘美「神2011」（雜誌『群像』2011.6月號）、古川日出男「馬兒們、仍閃亮發光」（雜誌『新潮』2011.7月號）、津島佑子の「羆熊靜謐之海」（雜誌『新潮』2011.12月號）等3部作品。3部作品共通點為，提示一個時代的結束之後緊跟一個新時代來臨的啟發，亦可視為默示錄的預告。如此同時期作家的共同視點，為深刻反省人類行為、嘗試從根本逆轉與被人類破壞不堪大自然環境的關係、展現勇於探索與大自然共生共榮之途的莫大決心。

The literary work which has treated the relation between man and nature to the theme is called the ''nature writing'' in Europe and America. When this considers the relation between man and nature (ecology and environment), it is an effective literary technique. There are three features, ''feeling of a place'', ''relation with environmental problem literature'', and ''exchange and representation'', in a nature writing. This paper has made applicable to research three works which have drown the subject of the nuclear power plant from the viewpoint of the animal (bears, horses, brown bears) after post 3.11 as ''Kamisama2011'' of Hiromi Kawakami , Hideo Furukawa’s ''Umatachiyo soredmo hikariwa mukude'', and Yuko Tsushima’s Higuma no shizukana umi'''' on the basis of above three viewpoints. The common feature of these three works is the preliminary announcement of the new start which continues after the end of one age. So to speak, this can be said to be an apocalyptic preliminary announcement. This tends to reflect on the human being’s action deeply, and tends to reverse the relation with the severely destroyed environment from the bottom. Simultaneously, this is manifestation to the strong decision in which try to tend a symbiotic way of life with nature bravely.