村上春樹 「有熨斗的風景」論一兼論其影響關像

The Discourse on Haruki Murakami's ''Landscape with Flatiron'': A Discussion on the Correlation

「有熨斗的風景」發表於平成十一年九月號的「新湖」雜誌。此篇作品以「連作「地震之後」《二〉」為題發表之後，隔年二月收錄於新潮社的「神的孩子都在跳舞」連作短篇集中。「神的孩子都在跳舞」這本連作短篇集為以下六個作品所構成。依序為「UFO降落在釧路」「有熨斗的風景」「神的孩子都在跳舞」「泰國」「青姓老弟，救束京」「蜂蜜派」。「有熨斗的風景」雖為「神的孩子都在跳舞」連作短篇集中之作品，但在研究史上卻沒有相當多的研究文獻出現。研究文獻大多著墨於「神的孩子都在跳舞」連作短篇集之全作品為研究對象進行論遠。然「有熨斗的風景」為收錄於連作短篇集中的其中一篇作品，探討連作作品間具有何種關連性的確有其研究意義。但是，連作的六篇作品都各有其不可思議的要素存在，因此，有必要先針對各個作品進行分析探討。研究方法上，首先以文本閱讀的方式，精讀這篇作品。而後探討與志賀直哉作品間的影響關條，這樣的觀點來探討，才能找到存在於村上春樹創作方法中的問題。

”Landscape with Flatiron” was firstly published in September, 1999 in Japanese Shincho Magazine. This work, under the theme of ”After the Quake- Continuous Work (2),” was then collected in the continuous short stories of ”After the Quake” by Shincho Magazine composed of six pieces: ”UFO in Kushiro,” ”Landscape in Flatiron,” ”All God's Children Can Dance,” ”Thailand,” ”Super-frog Saves Tokyo,” and ”Honey Pie.”Although ”Landscape with Flatiron” is one piece of the short story collection of ”All God's Children Can Dance,” yet there has been limited number of researches conducted about the work and the majority researches examined the discourse on the continuous short story collection of ”After the Quake” as the research subject. As one of the six pieces in the short story collection, ”Landscape with Flatiron” indeed has its significance, but the six pieces all have the inevitable elements for the collection. Thus, each piece shall be analyzed individually.Text reading is adopted firstly as the research method to analyze the piece of work. The correlation between this work and Naoya Shiga's work then is examined. From this perspective, issues of creation of Haruki Murakami can be identified.