太宰治『惜別』的創作方法－與同時期作品之關連性

The literary creation of ''Sekibetsu'': the relation between Dazaiosamu's other writings during the same period

太宰治「惜別」（1945年9月、朝日新聞社刊），在太宰治的著作中，一直是被視為是一冊具不同特色的作品。其理由是因為「惜別」是以著名的作家魯迅做為作品的創作原型；且這是受到內閣情報局以及日本文學報國會的委託，在太平洋戰爭末期的大東亞會議的「大東亞共同宣言」的指導原則下，所創作出的特殊性格小說。這篇作品在發表後，一直被視為是一篇「失敗作」，在太宰治研究中也比較少被論及。但是在近年，這篇作品所涵蓋的特殊時代性開始被受到重視，這篇作品的時代性以及價值也從各種不同的觀點被加以探討。雖是如此「惜別」與同時期的一連之太宰治著作之關連性並沒有充分的被探討。在本論文中將釐清「惜別」的創作特徵，並與相同時期的作品作一個探討，進而明白太宰治在太平洋戰爭末期的創作方式。

”Sekibetsu” (Asahi Shinbun, September 1945) in all the writings of Dazaiosamu is always thought a special work with particular characters, because the famous writer, Lu Xun, was its creative base. Besides, ”Sekibetsu” was authorized by intelligence bureau of the Cabinet and Japanese literature of the congress and the Greater East Asia joint declaration of the Greater East Asia Conference in the late of Pacific War was its base. It was considered to be a ”failure work” of Dazaiosamu's and discussed less after publishing. In recent years, ”Sekibetsu” had been being paid more attention on its representative of the time and studied from different ways, but the relation of ”Sekibetsu” and Dazaiosamu's other writings during the same period was not studied adequately. Therefore, in this dissertation, we will comprehend the writing characters of ”Sekibetsu” and compare it with Dazaiosamu's other writings during the same period and then we could realize the writing way of Dazaiosamu in the late of Pacific War.