析論李清照詞中的幽香世界

On the Scent World in Li Qing Zhao’s Ci

李清照「香詞」具有多種層次的意蘊，既涵蓋自然與用品之香，同時在投射心理感知時，接受暗示力量最強的嗅覺氣味之「香」意象又成為追尋往事的最佳線索，折射出詞人在封建社會對女性遮蔽性存在的人生迷惑與生命情感的內焰。然而，在李清照詞的研究中，擁有比言語、情緒或是記憶更具獨特豐富性與感染力的嗅覺氣味之「香」意象，孤芳自賞，少人問津。本文著重探析李清照「香詞」中受嗅覺氣味所誘發之心理活動與情感軌跡，以嗅覺氣味的香意象為線索，分別從意象組合、審美觀照等面向論述李清照香詞既緣由現實又冠絕現實之特有的人生體察與遁逃方式，嘗試透過嗅覺氣味的「香」意象觸摸詞人的情感脈搏，及其「香」意象書寫與美感觀照。

Li Qing Zhao’s “Xiang Ci” (Scent Ci) has various meaning levels, covering the scent of nature and goods. When projecting psychological perception, the “scent” image of the most powerful olfactory smell becomes the best clue to pursue the past. It reflects the poet’s confusion and life emotions on the female’s masked of life’s existence in feudal society. However, in Li’s Ci research, instead of the “scent” image, scholars discussed words, emotions or memories. This essay focuses on the psychological activity and emotional trajectory induced by the smell in Li’s “Scent Ci,” taking the scent image of smell as a clue, to discuss Li’s unique way of life observation and escape from the image combination, aesthetic view. It aims to sense Li’s emotions through the smell of the “scent” image and its “scent” image writing and aesthetic perspective.