運用「歷史」表述之策展設計──以「潮代」展為例

Applying the Historical Interpretation in Curation Practices

隨著全球文化創意產業的興盛，具有文化內涵的設計模式，將能轉化「傳統」文化並產生「創新」設計的思維與價值。本文以2015年歷史博物館的「潮代」展為例，彙整相關策展活動歷程；策展人理念，與專刊圖錄等資訊，自「歷史」的角度切入，藉以探討「歷史」意涵轉化為策展實務之可行性。在建構理論應用階段，將以歷史理論與文化創意理論，包括歷史哲學；歷史寫作與歷史學發展等多元面相的文獻進行蒐集與探討；並在詮釋轉化應用階段，將依前述文獻所彙整之「歷史」意涵加以詮釋彙整，以進行「歷史」表述的歸類，且透過關鍵字義之聯想方式，形成「歷史」表述的特徵分類；繼而在成果展現階段，運用轉化手法將抽象「歷史」表述的類型，轉換成為具象的設計元素與型態，包括歷史的循環；歷史的積層；歷史的往復；歷史的空間；歷史的歷史等，創新的展示語彙與應用類型；最後綜整為結論與建議，完成「歷史」表述之策展實務應用的研究目標。

Along with the worldwide flourishing of Cultural Creativity Industry, curative models which contain rich cultural contexts can reflect the international trend of diversified development. Within this essay, the ''Chao-Dai'' exhibition curated by National Museum of History will be used as the example. The essay intends to explore the process from the historical understanding to the practical realization of exhibitions. This Multiple approaches were employed in the study including interviews with experts in the field, observation of the exhibition environment and literature reviews. To reconstruct curator's original motif of creation, this study analyzed the historical context and organized the information into a ''historical interpretation.'' Those abstractive historical interpretations were ultimately transformed into visualized exhibited elements, including historical cycle, historical layer, historical recovery, historical space and historical history. This model of historical interpretation could be applied into curation practices and through an organized exhibition to demonstrate a new value and ideology originated from traditional cultural history.