英文摘要 |
Taking the Taiwanese and Japanese popular songs as the subject of study, this pa-per attempts to examine the nature of the structure of feeling of the marginalized people and the historical background of its development in the 1960s' Taiwan. After comparing Japan's late Edo period (1603-1867) and the Taisho period (1912-1926), and the rural population movements occurred in both Japan and Taiwan in the 1960s, this paper finds that under different social atmospheres and conditions, the preference of the homesickness songs (Boukyou Enka) for those social marginals were significantly different in Japan and Taiwan. In order to present their own situation, Tai-wanese people localized the subject when covering the genre of Japanese homesickness songs. It also extended to cover the Japanese Wandering Knight-errant tale songs (Mata Tabimono Enka) which often took the late Edo period as the historical stage and echoed the social situation of Taiwan in the 1960s. The two types of song genre merged through the stories of the misfortune in reflecting the backwardness of Taiwan's indus-trialization process and the distress of the political environment. In the 1960s, Taiwan and Japan took a path of high economic growth, but the scars imprinted during the postwar era were very different. The Taiwanese covering of the Wandering Knighterrant tale song became a reflection of the differences in the histori-cal scars of Japan and Taiwan. |