音樂、國家、與時間性：以日本二戰前後音樂關於日本特質的論爭為例

本文的焦點，以1930年代到1940年代初，日本作曲家與評論人對於音樂中的「日本特質」（日本的????）的討論，以及與當時最重要的政治文化事件──「皇記二千六百年」，的音樂活動為主要對象。本文認為，當時的音樂論述中對於「日本的」現代主義音樂的想像，與對於日本帝國以及法西斯體制下的戰時日本，有著微妙的對應關係，尤其是呈現在音樂與國家論述的時間特性之中。

The fascist connection with music during WWII in European contexts has been well documented and studied in the past decades. Less attention was paid, however, to the fact that the musical link to political fascism was developed in contemporaneous Japan. This paper examines wartime Japan in their music-aesthetic discourses during the 1930s and early 1940s, focusing on the modern manifestation of “Japanese quality”（日本的なるもの）in music. In particular, this paper analyzes the characterization of the temporality of the state and the temporality in music, and explains how music and state were put on a parallel scale of time.