英文摘要 |
This paper mainly investigated Yang Shen's view of Tan Gong Cong Xun, which was rarely discussed, and the origin of the study on the Book of Rites in Ming dynasty. During Ming dynasty, fourteen books about “Tan Gong” were published, among which Tan Gong Cong Xun was the first and most influential one. This book adopted South Song Xie Fang De's critiques and the annotations from Zheng Xuan, Kong Ying Da, Huang Zhen, and Wu Cheng. The writing format of “critiques” and “annonations” of “Tan Gong” was thus formed. Considering the facts that Tan Gong Cong Xun included Zhang Zhi Chun's epilogues, explaining the process of adding notes to Xie's critiques and Zhang Han favored “Tan Gong”, Yang Shen conducted Tan Gong Cong Xun. After Yang accomplished the book, many scholars followed his format. Thus, Xie critized Tan Gong because Yang reinterpreted it, making the book a public one instead of a private one spreading in one's house. The popularity of “Tan Gong” could be attributed to the academic background in Zheng De and Jia Jiang years. During the early years of Ming, scholars advocated a simpler way of interpreting ancient classics, which led to the style of “annotating the ancient classics”. Therefore, Tan Gong Cong Xun was conducted under this kind of academic background, reinterpreting the interaction of “classics and compositions”. The purpose of this paper was to investigate “Tan Gong” in the study of the Book of Rites and made contributions to studying Yang's academic achievements. |