魏良輔《南詞引正》「元朝有顧堅者」條評議

A Review and Assessment on Interpretation of “There used to be Gu Jian in the Yuan Dynasty” in Wei Liang-Fu's Nan Ci Yin Zeng

本論文旨在探究魏良輔《南詞引正》「元朝有顧堅者」條的說法是否值得信賴，並為歷來學界相關問題的探討作出評議。以顧堅、顧瑛的世譜、生平、詩文集做為研究範圍，爬梳顧瑛與顧堅關係的蛛絲馬跡。而在此類文獻中，證明顧瑛與顧堅二者有交集的相關資料卻是羚羊掛角，無跡可尋。至於與顧瑛相與酬唱的文人雅士有九十三人，其本身或有音樂、文學之天分，如楊維楨、于立、釋良琦、昂吉起文等，皆與南曲之推廣或傳播，有或多或少之關係，此為筆者無心插柳所得之成果。最後將學界受到魏良輔《南詞引正》的影響，所形成的模糊之戲曲史觀念一併釐清。

The main purpose of this study is to investigate whether the interpretation of ＂There used to be Gu Jian in the Yuan Dynasty＂ in Wei Liang-Fu's Nan Ci Yin Zeng is reliable, as well as to review and assess relevant academic issues over the past. This study selected the family tree, life story, and poetry collection of Gu Jian and Gu Ying as the research scope to clarify the clues about the relationship between Gu Ying and Gu Jian. There is a lack of relevant literature and data proving that Gu Ying and Gu Jian used to interacted with each other. Gu Ying interacted with 93 literati and scholars (e.g. Yang Wei-Zhen, Yu Li, Shi Liang-Qi, and Ang Ji Qi Wen) about their works, and he was talented in music and literature, which are more or less associated with the promotion or spread of Nan Qu, as well as an unexpected research result in this study. In the end, this study also clarified the vague concept of Chinese opera formed in academia under the influence of Wei Liang-Fu's Nan Ci Yin Zeng.