魏晉玄理與感文化之關係初探：從慧遠「易以感為體」論起

Relationship Between The Metaphysic in Wei-Jin Dynasty and The Sense of Culture: A Preliminary Investigation Based on Hui-Yuan's “Yi Yi Gan Wei Ti”

當今玄學界長期置身於湯用彤以宇宙論及本體論來界分漢代思想與魏晉玄學的典範論述，以理性思辨為宗的玄學尤強調超越漢代感性思維的特徵，易加深了玄學之超驗性與文學之感官性的鴻溝。有鑒於此，本文嘗試以《世說新語．文學》第61則之慧遠「易以感為體」作為探索魏晉玄理與感文化關係的密碼，首先依「笑而不答」的對話語境，迂迴探入此則在易佛交會下的兩種詮釋立場，經此連結與融攝，我們遂得以重新揭示玄佛思想與魏晉感文化之間的多元關涉。是以透過此則的現身說法，當可體現異文化撞擊及轉化下為感文化所釋放出來的新趨向，並檢討當代玄學本體論與魏晉義理易的理解框限，從而為中國思想史與文化史之新文本開啟更多的可能。

The current metaphysic field relies on Tang Yong-tong's view in cosmology and ontology to distinguish the Han Dynasty's philosophy from Wei-Jin's metaphysic. The metaphysical discourse particularly emphasizes the path beyond the sentiment that characterized Han. As such, there is a gap between the transcendentalism in metaphysic and sensualist in literature. In view of this fact, this article proposes to connect the gap using Hui Yuan's “Yi Yi Gan Wei Ti”, expounded in “Literature”, Chapter 61, Shi Shuo Xin Yu. Based on the ambience of “smiling but saying nothing” in characterizing conversation, the analysis examined two interpretative stances associated with Yi Ching and Buddhism and addressed their potential links. From this perspective, this study continued to illustrate the subculture that has evolved, thus paving a way for an interpretation of sense culture. Thus, it reflected the limitations of existing Wei-Jin studies, and may potentially open up possible new doors for Chinese thinking and cultural history.