元代雙色印本《金剛經》相關問題考述

A Study on the Double Color Printing The Diamond Sutra (金剛經) of the Yuan Dynasty

中國禪宗自六祖惠能以來，就大力提倡《金剛經》的誦讀修持，也因此使得《金剛經》成為民間最受歡迎的經典之一。臺北國家圖書館所藏元刻雙色印本《金剛經》，是現存年代最早的、也是舉世唯一的一部雙色印本佛經。目前學術界對於此海內孤本雙色印本《金剛經》之研究，集中於其在文獻學、版本學及印刷史上的重要意義，本文則以此經為線索，結合元代禪宗在江南一代的傳播史實，說明此書的出世絕非偶然，而是元代禪宗盛行之下的必然產物。並且找出本經註解者無聞思聰禪師的生平，填補以往研究的空白。進一步並試圖說明此雙色印本《金剛經》的可能來源。本文的研究徑路乃是結合了佛教史與印刷史的觀點，也是文獻學跨學科研究的成果。

From the time Zen Buddhism arrived in China from the Sixth Patriach Hui-neng, figures have largely promoted the reading and recitation of the Diamond Sutra, which became a welcomed classic among folk peoples. The Yuan-era manuscript of the Diamond Sutra is the earliest version of this classic we have, and it is the only dual-colored version of this sutra. Although the Yuan Dynasty did not reign for long time, it made important contributions in culture. In the aspect of the dissemination of Buddhism, the Yuan Dynasty officials placed high importance on Tibetan and Zen Buddhism. It advocated both, therefore forming a phenomenon in which Tibetan Buddhism grasped political power, whereas Zen Buddhism exerted its profound influence on the common people's religious life until modern times. In the aspect of the following printing methods, Yuan people continued to enhance the achievement in printing industry of Song people. They even strived for perfection to develop color printing, which is applied in Buddhist literature publications. We attempt to combine Buddhism history and printing history. On the one hand, the author observes Buddhism's development from the printing and circulation of Yuan Dynasty Buddhist scripts. On the other hand, we observe how Buddhism affects printing and publishing industry.