越南阮朝宮廷詞人群體述評

A Review of the Royal Family's Ci-poetry in Việt Nam during Nguyễn Dynasty

總觀越南填詞史（自先黎朝980－1009至阮朝1802－1945），至阮朝時期，顯已達到高峰，相關的越南詞集、詞話及詞論終於問世。在此發展的過程中，阮朝宮廷的力量可謂舉足輕重。然而，至今所見與阮朝宮廷詞有關的資料，大多失傳已久。因此，本文依阮朝宮廷詞人綿審、貞慎、綿寊、綿寶、綿寬所撰寫著作為考述線索，試圖探究阮朝宮廷詞的問題。首先，針對阮朝宮廷填詞狀況進行論述，包括填製作品、填作背景、師從及參考資料等。繼則就所蒐當時宮廷詞人所撰詞之序跋、奏疏答詔、書札等，歸納分析當時討論之詞學議題，包括詞的格律、音樂、風格、雅俗等，實深受中國詞論的影響。因期待學者有更多元的視角，推動越南詞的研究。

Throughout its history from Former Lê Dynasty (980-1009) to Nguyễn Dynasty (1802-1945), Vietnamese classical Ci-poetry reached its peak during Nguyễn Dynasty. Ci-poetry collection, Ci-poetry talks, and Ci-poetics were recorded as invented during that time. In the course of this genre's development, the royals of Nguyễn Dynasty formed a very important force of contribution. However, most of the Nguyễn Dynasty royal family's Ci-poems documentations has been lost. This paper investigates Ci-poetry of this area through the creative work by Mien Tham, Trinh Than, Mien Trinh, Mien Bao, Mien Khoan who were royal members of Nguyễn Dynasty. First at all, this paper provides a brief overview of the context, including Ci-poet work, Ci-poetry writing background, masters, and reference books. Next, the analysis offers insights on Nguyễn royal members' view of Ci-poetry based on their remaining writings, including the prefaces and postscripts of Ci collection, and letters. Such an investigation will showcase their concerns with meter and rhyme scheme, elegant and uncouth restrained style of Ci-poetry. This paper aims to contribute a new perspective towards the research on Vietnamese Ci-poetry.