高建順的南洋作品探究——以與《高建順日記》的比較為探討中心（Ｉ）

Exploration of Jyun Takami's Southern Works: Comparison with Takami Jyun's Dairies (I)

日本近代的南方風潮中，許多作家、文人前往南方並留下大量與南方相關的作品及紀錄。作家高見順也是其中之一。他在昭和十年代曾有兩次前往南洋的經驗，第一次是在昭和十一年的一月至五月，與作家友人三雲祥之助同行前往當時的荷屬東印度旅遊，另一次是昭和十六年十二月至十八年一月，以徵用作家的身份被派遣至緬甸，經歷約莫兩年的從軍生活。經歷這兩次的南洋體驗，高見順寫下〈蘭印的印象〉、〈蘭印點描〉、〈朝南之旅〉、〈緬甸記〉等大量的作品。在南洋的這段期間，高見順亦留下了詳盡的日記。據高見順自己所言，留下這些日記的目的是為了當作日後書寫作品的題材。然而，雖說這些與南洋相關的作品內容都是高見順依據自己當時所留下的日記為基礎加以增刪修改書寫而成，但從其公開發表的作品與其私人的日記當中，可發現兩者在內容描述上的明顯差異。本論文將以高見順的蘭印相關作品為探討對象，將高見順於當時公開發表的作品與其日記相比較，分析兩者的異同之處並探討其背後所隱含的意義。

In Japan's modern history of the Southern trend, many writers and scholars headed to the South and left lots of works and records associated with the South. Writer Jyun Takami was one of them. He had two trips to the Southeast Asia in the Showa generation, the first trip to Dutch East Indies with his friend Syounosuke Mikumo from January to May, the 16th year of the Showa Generation. The second trip was to Myanmar for 2 years of military life as a dispatched writer from December, the 16th year to January, the 18th year of Showa generation. After these two experiences, Jyun Takami wrote lots of works such as 'the Impression of Dutch East Indies', 'the Sketch of Dutch East Indies', 'Journey to the South' and 'Myanmar Note'. During this period, Takami also left a detailed diary along. According to Jyun Takami, these diaries were intended to be subjects for future writing. However, although these works associated with the Southern contents were written based on adjustment of Takami's own diaries, one can tell the significant differences between the published works and the private diaries. Using Takami's associated works of Dutch East Indies as the discussion topic, this paper will compare Takami's published works with his private diaries and analyze the differences while exploring the meaning hidden beyond.