英文摘要 |
In the late period of geography after the cultural turn, the three waves of feminism not only carry and empower the gender minorities, but also continues to reveal the space of gender blindness. The most microscopic space, the body, is regarded as an intermediary between social structure and individuals. The class and status of the body are shaped according to its performativity and capital amount. Space, as a supporting system of the performativity, will be shaped by its subjective, and vice versa. This research takes Taichung GDi as an example to research the bodily performativity of gay in this friendly space. Through the depth interviews and participant observations, it investigates not only how the 20 gay men compete in space and differentiate between ethnic groups but also observes the process of subjectivity and spatial interaction. The results show that the subjectivity of gay men has a strong context. According to the subjective shaping context from boys to individual, it is divided into four main thematic discussions: 1. Self-subject construction; 2. Flowing entity and performativity practice in society; 3. the subject construction and performativity practice after entering Taichung GDi; 4. Representational Taichung GDi after the performativity. From the above four themes, from Gay men`s identities in the self-subject construction are completed, until entering Taichung GDi, individuals become a part of the GDi through strategy and immersed in the subjectivity of it. At last, the outsiders' perspectives of the representational Taichung GDi after the performativity would be described as a gay friendly space which is mostly consisted of young, feminine and twink. However, the internal subjectivity is unstable and changing. Besides the representation of the space, the homosexual in GDi also become the representation of individuals who has a gender awareness yet still oppressed by the patriarchal structure. The most important external force is heterosexual hegemony structure, which is difficult to shake. |