| 中文摘要 |
本文重點在於透過桃花源意象的並置討論呈現陶淵明與賴聲川在作品中的思想特質。陶淵明以〈桃花源記〉來建構一個理想國度，一方面顯現陶淵明對於苛政和戰禍的抨擊與不滿，另一方面則藉著絕境意象的描述，傳達現實與理想永恆對立的悲觀論調。至於賴聲川則以〈暗戀桃花源〉思索近代中國人沒有終點的追尋，描繪了執著於漂流的戰後新移民形象與精神狀態，並試圖為他們指出一條安身立命的生存之道。
This article focuses on the ideological characteristics presented from Tao, Yuan ming and Lai, Sheng-chuan's works through the juxtaposition of discussion of Peach Blossom Spring. Tao built an ideal country to show his criticism about tyranny and catastrophe in the world through “The Tale of the Peach Blossom Spring”; on the other hand, he conveyed a pessimistic contention about the eternal opposition between reality and ideal by describing a Utopia in his work. As Lai considered that modern Chinese people chased a perfect country without final goal through “The Peach Blossom Land”. He portrayed a floating image and mental status of new immigrants, and tried to settle down for them to point out a way to survive. |
本站僅提供期刊文獻檢索。
