許渾才性論

Exploring into Xu-Hun's brilliance

許渾（795？- 858？）字用晦，號丁卯。晚唐著名詩人，撰有《丁卯集》二卷。許渾生平事蹟未見於史傳，今日僅能從其詩集、友朋往來贈答詩篇，以及歷代各家短章片語中，勾勒出其詩學才性與襟懷抱負。許渾詩歌韻遠情長，其詩佈局謹嚴、意象清麗、工於對偶、格律穩切，韋莊〈題許渾詩卷〉云「江南才子許渾詩，字字清新句句奇。十斛明珠量不盡，惠休虛作碧雲詞」，顯見許渾詩歌，在晚唐之時，即備受肯定與推崇。自晚唐張為《詩人主客圖》以來，尤其在文風頹敝的時代，許渾詩歌經常被選為典範，用以教習弟子。南宋范晞文、周伯弜主張詩歌在詠物寫情時，應當秉持「用物而不為物所贅，寫情而不為情所牽」的原則，並且認為唐詩在「李、杜之後，當學者許渾而已。」 仍代楊士弘《唐音》始辨唐詩體製。明代高棅《唐詩品彙》承其「別體製之始終，審音律之正變」，將唐詩定為四體九格，條析許渾律絕為「餘響」與「正變」，一明許渾詩學之繼承與開創。清代李懷民《重訂中晚唐詩主客圖》盡棄前賢法則，改選許渾「天然明麗，不事雕鏤」詩篇，將許渾五律視為學古先路。李懷民因時制宜的選擇，正契合韋莊「十斛明珠量不盡」的稱譽，適可見許渾詩學地位，歷經千年猶屹立不搖。 Xu-Hun is a renowned poet in the later period of Tang dynasty. His absence was due to the” Jiu Tang annals “and “Xin Tang annals”. Therefore, we can't to know Xu-Hun's biographically. Today we can only to known Xu-Hun's brilliance from his poetry anthology, or his friends poem, and in all previous dynasties various short chapter. Xu-Hun's poetry was possessed of elegant rhyme, preciseness of composition, imagery of pure, elaborate of antithesis. Weizhuang says: Xu-Hun's poetry concrete fresh and wonder in words and expressions. It was quite obvious that Xu-Hun's poetry affirmation and the esteem in the later period of Tang dynasty. Xu-Hun's poetry to inherit chengtang(盛唐) atmosphere and to inaugurate.Since the later period of Tang dynasty, people broached of Xu-Hun's poetry. zhangwei wrote a book „the poet of master and guest illustration‟, particularly in weak and degenerate of literary circles. Xu-Hun's poetry frequently to choose to teach the student. Lihuaimin(李懷民)Adapts measures according to time choice, to be in agreement weizhuang(韋莊) Praised for ''a great deal of measure pearl quantity is endless''. Exactly to declared Xu-Hun's poetics status. Still rise up to after the millennium does gone.