林京子文学における戦争表象としての上海–『ミッシェルの口紅』と『上海』を中心に–

論林京子文學裡戰爭表像的上海──以《蜜雪兒的口紅》及《上海》為主（Shanghai as a War Zone in the Literary Works of Hayasi Kyoko: 'Michelle's Lipstick' and 'Shanghai'）

林京子至十四歲為止生長於中國的上海，上海對她而言，如同自己的故鄉。林京子的作品《蜜雪兒的口紅》及《上海》裡的敘述者〈我〉亦即林京子的化身，以回歸過去的視點的〈我〉，緬懷上海的生活點滴；時而以現在視點的〈我〉反省著過去上海的種種。上海體驗與被爆體驗是形成林京子文學的重要因素。林京子的文筆活動的原點在於戰爭。此戰爭指的是在中國上海所體驗到的戰爭，以及撤退歸國後在長崎所遭遇到的核爆的戰爭。上海體驗及被核爆的體驗是形成林京子文學的重要因素。以下以《蜜雪兒的口紅》及《上海》兩作品為主，從林京子作品中的〈我〉的視點來看戰爭、以及可說是置於戰爭中的上海這個特別的空間。 Shanghai, where Hayasi kyouko grew up until she was fourteen, was like her hometown. In her novels, ”Michelle's Lipstick” (ミッシェルの 口紅》(蜜雪兒的口紅, 1979）and ”Shanghai” (《上海》,published serially starting from June, 1982), the first-person narrator can be viewed as the author who looks back at the past and reflects on her life in Shanghai in detail: the narrator thinks retrospectively of her past life in Shanghai. The Shanghai experience and the nuclear bomb explosions are two essential elements in the works of Hayashi kyoko.Hayasi kyouko describes her experiences of the war happened in Shanghai, China, and of the nuclear bomb explosions in Nagasaki after she returned to her country in her novels. Her Shanghai experience and her experience of the nuclear bomb explosions are two esential elements in her literary works.This study will examine the war from the first-person narrator's view point and Shanghai as a special setting of the war in ”Michelle's Lipstick” [《ミッシェルの口紅》（蜜雪兒的口紅）], and ”Shanghai” (《上海》).