中文摘要 |
本論文注意到芥川龍之介於創作『開化的殺人』(1918)過程中,在創作意欲上遇到的挫折。因此首先以芥川『開化的殺人』周邊相關草稿及未定稿為起點,併讀其與「偵探」相關的讀書經歷,加以考察分析,以闡明芥川之「偵探」理念。之前較偏頗以芥川之「明治時代認識」與「自我個體之確立」兩大概念解析本作品。但於本稿中,將聚焦在將北畠遺書公諸於世,與書寫並自我告白的兩位話者的言論與表現上,並分析探討以兩位話者為中心的文本中,讀者所賦予與展現的機能為何。以這個新視點,嘗試再評價芥川龍之介對於『開化的殺人』此一創作的挑戰與期望。
The paper notes that in the creation of Ryunosuke Akutagawa ”civilized period of the killings” (1918) process, in the creative desire to encounter setbacks. So first of all to Akutagawa ”civilized period of the killings,” people around the draft and finalized as a starting point , and read it with the ”detective” school- related experience, to examine the analysis to clarify the Akutagawa's ”detective” concept.Biased than before to Akutagawa's ”understanding of the Meiji era” and ”the individual's self-established” two conceptual analysis of the works. But in the Suggest, will focus on t he North Tian suicide note made public, and writing and self-confession, then those two words and performance, and analysis of the two words as the center of the text, and given the reader function show why. With this new perspective, try to re-evaluation Akutagawa for the ”civilized period of the killings,” t his creative challenges and expectations. |