川端康成「青い海黒い海」的時間構造

The Time Structure of Kawabata's 'Aoi Umi Kuroi Umi'

「青い海黒い海」為「文藝時代」大正十四年八月號上所發表的作品，由「第一遺言」、「第二遺言」與「作者的話」三部分所組成。根據先行研究的分析，由話者兼主人翁的「我」之主觀所構成，每個事件都「絕非依發生時間前後所排列」的本作品，給予讀者一種「混沌」的印象。相對於先行研究的觀點，本稿中則闡明了「我」的主觀是將「第一遺言」與「第二遺言」中所描繪的現實與非現實的空間，以及過去與現在的時間加以連結，於作品中打造出一個圓環構造的重要關鍵。此外，「第一遺言」與「第二遺言」的開頭先點明此章節最重要的話題，相關解說則留到最後的手法，其目的也是打造出此一圓環構造。如此一來可以得知「青い海黒い海」的時間構造看似混亂，實為作者精心打造的成果。然而，「我」的主觀此一概念中，也能看出大正末期川端提倡的新感覺，以及用象徵性手法描繪出「生」與「死」的傾向。 ”Aoi Umi Kuroi Umi” is a work which was published in 14th year of Taisho (1924). This work consist of three parts which is ”First Will”, ”Second Will”, and ”Author's words”. According to the analysis of previous studies about this work, this work's construction is the subjective speaker as a main character and setting every event is not happened on a time table that make readers feel ”Chaotic” of the time structure in this story.This paper will be different from the previous studies; it is focus on the main point of ”Subjective speaker” draw a story in ”First Will”, and ”Second Will” with reality and unreality for connecting the past and now to make a circle construction on this work.Otherwise, it could be a purpose on make more circle constructions on this work, so on the chapters of ”First Will” and ”Second Will” also point the most important topics at the beginning and make the explaining and descriptions in the end's part.Thus, maybe it is a Chaos on the time structure on this work, but for author it is the most choicely part of this work. And, the subjective speaker as a main character also can find the idea of neo-sensualists which is advocated by Kawabata in the late Taisho, using a symbolical kind for describing about ”life” and ”death”.