安岡章太郎文学に描かれた〈父と子〉–初期作品「剣舞」を中心に–

安岡章太郎文學中所描寫的〈父與子〉：以初期作品「剣舞」為中心（“Father and Son” in the literature world of Syoutarou Yasuoka: Initial stage works “Kenbu” as the center）

安岡章太郎的作品裡有許多都是描寫父親或母親。儘管如此，先行研究多半著重於「母子関係」的探討。相對於此，有關於作品中所描述的「父子関係」的探討經常容易被忽略。本論文以此為出發點，並以初期的作品「剣舞」為主要研究對象，探討安岡文學中所描寫的〈父與子〉。「剣舞」於1953年7月發表於『文學界』。此作品透過主人公〈我〉來描述他和因戰敗從戰地返回的父親時隔十多年後重新再一起生活時的心境。大多數的研究者都將此作品定位為安岡的「否定父親」的作品。的確，作品裡抱以「惡意」的視線注視著父親的描寫確實不少。但是從如「一想到父親，不知為何就會很難過」等等的主人公〈我〉的心境描寫，以及〈我〉對自己本身感到焦躁等等的種種心境的描寫來看，〈我〉對於父親的感情絕不只限於厭惡的情感。本論文將著眼於主人公〈我〉的內心糾葛的情感和他的心境變化，試著去解讀作品裡所描寫的父子關係的實質狀況。 A Numerous description of Fathers or Mothers are found at Syoutarou Yasuoka's works. However, most part of the previous studies are laid special emphasis on ”mother and child relations”. Hence, ”Father and child relations” in the works are ignored oftentimes.Based on the situation, this thesis has devoted to research into the ”Father and child relations” in the work by learning the author's very early stage work, ”Kenbu”. ”Kenbu” is first published at 『Bungakukai』in July,1953.It describes the protagonist's (I) internal change by living again with his father that comes back from a losing battle, after a more than 10-year-time separation.It has been defined as a ”Father denial” work by most researchers.Indeed, ”Malice” plays a lot of role on father describing parts in the work.However, the protagonist's (I) real feeling is revealed between the lines.Depictions of the protagonist's mind changing like ”Once thinking of Father, somehow I feel very sad” and the words for describing the protagonist's various feelings for himself, such as anxious, all show the sentiment that the protagonist (I) has for his Father is not just a dislike.The main purpose of this thesis is to interpret the ”Father and child relations” by focusing on the protagonist's (I) emotional entanglements and mind changing.