| 中文摘要 |
宋代史學興盛，纂修的方志遠多於前代，這股風氣刺激了地方百詠詩的創作，詩人們透過吟詠地景而存史立言，董嗣杲《西湖百詠》即是宋代地方百詠詩發展脈絡之下的產物。《西湖百詠》為南宋僅存的西湖百詠詩，《四庫全書總目》評其：「頗有宋末軼聞為諸書所未載者。」具有文獻的獨特性。董嗣杲身處宋末元初，遊國都之西湖，其個人情志值得探悉。本文從集體記憶與自我抒情兩方面，揭示《西湖百詠》的價值。在集體記憶上，董嗣杲對於地景與碑刻、匾額的互動及著名文人對地景的影響有著獨特的關切，並反映出他注重人與地之間的聯繫。在自我抒情上，董嗣杲於宋末隱逸入道，其處於國都西湖地景空間之中，隱逸與尋仙是其情感的抒發，可探究出其內在情懷之軌跡。
The prosperity of historiography in Song Dynasty, to promote one hundred poems of localities not only in the number and system more mature. Dong Sigao's “One Hundred Poems of Xihu” was one of the few poems that were written by local poets. it was the only poem written in Southern Song Dynasty. So it is quite unique. In addition, a negative view of ' Si Ku Quan Shu Zong Mu ' from other one hundred poems of localities, giving a positive evaluation. So, “One Hundred Poems of Xihu” as one of the higher value poems in the Song Dynasty, is worth paying attention to. This article will attempt to reveal the value of ' One Hundred Poems of Xihu ' from two aspects of collective memory and self-expression. In collective memory, Dong paid close attention to the interaction of scenes, cravings and horizontal inscribed boards. He also laid great emphasis on how people influence landscapes. In self-expression, when he appreciated the beauty of west lake, he wanted to hide from the outside world and find the journey to fairland, which is exactly what he did at the end of the Song Dynasty. |
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