英文摘要 |
Buddhism development in China reached the vertex in Tang Dynasty. Buddhist sutras chanting stimulated the demands of manuscripts. Monks, calligraphers, Shu-Shous, 1 Jing-Shengs2 and worshippers were devoted to transcribe Buddhist sutras, hence Chinese calligraphy was developed rapidly. After Zen flourished, literati interacted with monks frequently. Together they discussed Buddhist doctrines and the art of calligraphy. Zhi-Yong, Huai-Su were two famous monks who specialised in Cursive Script. In the middle and late Tang Dynasty, the displays of Cursive Script on the walls and screens became a trend. Cursive Script turned into a performing art which was popular among people. Jing-Shengs played an important role in making manuscripts of Buddhist sutras. Transcribing Buddhist sutras was not only considered as a buddhist’s personal work, but also a mean to pray for blessings and to avoid calamities for the whole society. Official Jing-Shengs were supervised by official directors, hence they labored carefully. Folk Jing-Shengs were employed by monks or worshippers, often worked inside the temples. To review the history of Chinese calligraphy, Jing-Shengs’ works cannot be wiped away. However, Jing-Shengs style received negtive comments from each generation. Jing-Shengs were depreciated due to their low socioeconomic status and their occupation. As more Buddhist sutras manuscripts were unearthed, Jing-Shengs style has became well-known and been highly regarded. |