文人化與折衷化的改編－－從「元刊本」與《元曲選》的《薛仁貴》說起

The Eclecticism of the Literati: Tsang Mau-hsün’s Adaptation of Hsüeh Jen-kuei

本文先針對元刊雜劇《薛仁貴衣錦還鄉》與《元曲選》本《薛仁貴榮歸故里》二劇進行比較，剖析其中內容與思想的差異；再嘗試從「元雜劇在明代」的背景角度，解讀改編者臧懋循的意識形態與讀者訴求，藉此討論元雜劇於流傳過程中產生的變遷與改編問題。

This paper analyzes two versions of Chang Kuo-pin’s 張國賓tsa-chü 雜劇ˆ “Hsüeh Jen-kuei, Clad in Brocade, Returns to his Home-Village” (Hsüeh Jen-kuei i-chin huan-hsiang 薛仁貴衣錦還鄉) in the Yüan printing, and “Hsüeh Jen-kuei Returns in Glory to his Native Village” (Hsüeh Jen-kuei jungkuei ku-li 薛仁貴榮歸故里“) in the Yüan-chü Hsüan 元曲選 Žedition, showing their major differences in text and style. It also explores how the context of the Ming Court and Tsang Mau-hsün’s 臧懋循 ˆ‰Šconcept of reader-orientation affects his adaptation. This paper is a primary attempt at explaining the transition of Yüan tsa-chü 元雜劇 ˆfrom the Yüan dynasty to the Ming.