英文摘要 |
Characteristic of the modern urban culture, according to Siegfried Kracauer, is the prevalence of the surface that is clearly visible but can hardly be seen through. The visible surface, in other words, evokes only tactile sensations. No matter whether it is in the Paris of the Second Empire or in the Berlin of the Weimar Republic, the modern visual culture all bears witness to the dialectical passing of the visual into the tactile. This paper will take Kracauer's thought-provoking observation as a point of departure, seeking to deal with Walter Benjamin's critical and productive reflections on the emerging visual culture. Via the dialectical image of flâneur, Benjamin points an accusing finger at the invalid reactions to the flurries of visual shocks that are caused by and testify to the general encroachment of tactile sensations on the visual experience. But the critical negation never suffices. Through the image of collector that has been woven into the physiognomy of flâneur, Benjamin also sees the potential of Freud’s theory of innervation for handling the head-on shocks and appreciates its instrumentality in preparing the ground for the proletarian appropriation of technology. |