英文摘要 |
The present article aims to study the literary figure of so-called “postmodern shaman” in several Taiwan novels published after 1990 by focusing on the personalized rituals they perform, in which smells play a guiding role in actualizing implied religious meanings. The principal texts analyzed include Notes from a Desolate Man and The Words of A Witch by Tien-wen Chu, “Hungary Water” by Tien-hsin Chu, and “Rose Asura” by Jun-ying Lin. These works reflect cross-cultural influences of the contemporary revival of Shamanism and New Age thinking, and highlight the relation between sensory/bodily experience and religious/spiritual feelings. While the biological aspect of smell is emphasized, its metaphysical connotations, especially those associated with the sacred and enchantment, are paradoxically restored. The ritualistic function of smell, that of “change of category” above all, is manifest in these works in the sense that it operates as “the liminal,” bridging the profane and the sacred times and spaces. In particular, the article examines the spirit-raising ritual in “Hungary Water,” the purification ritual in “Rose Asura” and the healing ritual in Notes from a Desolate Man, all via aromatherapy. They reflect certain significant aspects of cultural psychology of modern society, tracing its turn from the sacred to the profane and, at a later stage, its sway from rationalistic principles back to the atavistic mystic/shamanistic thinking. The postmodern shamans’ rituals of smell can be considered exploring a practical approach towards sanctity via corporal and sensory experiences and, in doing so, they revive images of the body-centered cults of ancient shamanism. Postmodern literature of smell bears witness to the evolution of olfactory perception not as physical phenomena, but as cultural constitution as well as social product. It thus exhibits how the social body constantly modifies its olfactory taste in adapting to a changing cultural environment. shamanism. Postmodern literature of smell bears witness to the evolution of olfactory perception not as physical phenomena, but as cultural constitution as well as social product. It thus exhibits how the social body constantly modifies its olfactory taste in adapting to a changing cultural environment. |