英文摘要 |
This article is mainly to analyze the questions about biography of different types of Chan masters in literatures of Buddhist Monks' biographies in Tang and Song dynasty, especially compare the different ideals and writing styles of Chan master's biography between the tradition of 'the Buddhist hagiography' written by 律師(vinaya masters) and “燈錄'(Lamp Records) in Chan sect. By the analysis, the researcher indicates the literatures of these biographies do not only reveal the historical narration on the master's life ,but also the different images of ideal saints implicit in these different strands. This article is divided into three parts; the first to reflect critically on the methodology in researches of Chan's history represented by Hu Shih and Yanagida Seizan, indicating their limitation in the method. The second, the researcher suggests methods of analysis referred to hagiography, to discuss the complication of writings among different Chan master's biographies and to analyze in details the relation between writings of Buddhist Monks' biographies in China and '列傳'(Biographies) in the tradition of Confucian official history. The third, by investigating Chan master's biographies in '燈錄' and ' the Buddhist hagiography ' by 律師,including their different imagination from the viewpoint of Chan’s transmission genealogy, Chan master and thaumaturgy, Chan master's attitude toward knowledge of classical literature, and relation between Chan master and vinaya master,etc., this article explains that all of those different biographies of Chan master are fully intertwined with historical and religious rhetoric, which can't be treated and interpreted simply as historical text. |