「誰」是博物館體制下的「非觀眾」？初論《凝視驛鄉——Voyage 15840移工攝影展》於蘆荻社大之行動研究

Who are the 'Non-visitors' in the Museum System? A Preliminary Exploration of 'Voyage 15840-Migrant Worker Photography Exhibition' at Ludi Community College, Taiwan

之於本文，我既是博物館館員，也為鑲嵌於主流博物館體制裡試圖創造變革並有所想望的行動者，相對而言，無論是蘆荻社大學員與台灣國際勞工協會移工，都是長期受主流博物館體制所排除的「潛在觀眾」，而不是「非觀眾」。透過本文，反映博物館作為主流社會體制之一，其內部策展機制與組織分工，以及面對外部相對非主流觀眾的不參與，乃是如何有意或無意排除不同社會位置的觀眾，而非創造其參與體制運作且成為潛在觀眾的條件，文末，揭露我以自身博物館實作進入街頭，邀請不同社會位置觀眾參與策展行動的反思。

In this article, the author is not only a member of the museum staff, but also an actor who embeds himself in the mainstream museum system, desiring action and change. With regard to the participating actors, all members of the Ludi Community College and Taiwan International Workers Association (TIWA) were ”potential visitors” who had long been excluded from the mainstream museum system. The author reflects on the museum exhibition curating mechanism and its organization, especially on how it excludes some visitors from participating in museum exhibitions without creating alternative choices for them. In addition, the author also discusses his hope of inviting individuals from different social classes to participate in exhibitions outside the museum (i.e., in the streets).