黑暗中的景觀凝視與敘事：賽德克巴萊下的清流

Gazes and Narratives in the Dark Spectacle:Alang Gluban After the Film of Seedliq Bale

本研究旨在探討「黑暗觀光」情境中的觀光凝視與解說敘事。研究分析資料乃以搜集部落觀光情境下的說與問的敘事文本進行分析，並輔以參與觀察及訪談。研究結果發現，霧社事件遺族居住地之清流部落，在受到電影賽德克巴萊的媒體影響下，觀光客凝視的層面摻雜著媒介化凝視及黑暗凝視；在媒體觀光熱潮影響下，部落有機會藉由在觀光舞台上陳述各人家族的生命經驗，進而在當代演譯歷史的本真，提供給外來者建構自身的景觀社會。

The purpose of this study is to explore the tourist gaze and local narrative in dark tourism and further explain the relationships between local narrative and stage narrative. Based on critical case sampling, participant observation and interviews and narrative inquiry were adopted as the methods of data gathering and analysis. The results showed that the tourist gaze mixed with mediatized gaze and dark gaze, which indicated that the tribe of Alang Gluban faced media effects from the movie, Seediq Bale. With this focus, many narrators have come out into the tourism stage. Many of these narrators are descendants of the surviving family of this event. When these narrators guide tourists, how do they face the past and introduce the history of this ethnic place, even to create the society of spectacle of themselves. The results of this study recognize that there are multiple contexts of the WuShe Event from different narrators and their narratives can enrich historical facts through the tourism stage.