《牡丹亭》崑曲工尺譜全印本的探究 A Study of the Complete Kunqu Scores for Printed Editions of The Peony Pavilion
從音韻學角度論述王驥德南曲度曲論之建構 An Analysis of the Structure and Formation of Wang Jide’s Theory of Duqu in Southern Chinese Traditional Opera–from the Viewpoint of Phonology
上海戲劇舞臺三十年 Shanghai Theatrical Stage in Thirty Years: from 1970s to the Present
禁戲政令下兩岸京劇的敘事策略 Narrative Strategies of Prohibited Theater in China and Taiwan
「做活戲」的幕後推手：臺灣歌仔戲知名講戲人及其專長 Movers behind “Living Plays”: Taiwanese Opera’s Prominent Scenario Tellers and Their Expertise
孝辨：《李爾王》的戲曲類比與改編 Vision and Revision of Filial Piety: Analogues and Adaptations of King Lear in Chinese Opera
