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中央大學人文學報
National Central University Journal of Humanities |
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| 201510 (60期)期所有篇 |
- 音樂創作的記憶與遺忘──從創作筆記重探陳其鋼作品《源》的音樂語言 Memory and Obliviousness in the Creation of Music: Re-examining the Musical Language of Qigang Chen ’s Yuan by his Composition Notes
- 從書信手稿談音樂學者與作曲家的關聯──以拉盧瓦和德布西鋼琴曲《月落古廟》的創作為例 Study on the Relationship between Musicology and Composer: The Influence of Musicologist Louis Laloy on Claude Debussy’s Et la lune descend sur le temple qui fut
- 理查‧史特勞斯〈七紗舞〉的創作歷史與其意義 The Compositional History of Richard Strauss's “Dance of the Seven Veils” and its Significance
- 德語歌劇歷史的空白與先機──馮•索登與E.T.A.霍夫曼《長生藥酒》之早期浪漫的探討 The Blank and the Opportunity in the History of German Opera: A Survey of the Early Romanticism of The Drink of Immortality by Julius von Soden and E.T.A. Hoffmann
- 手稿解讀與盧炎的和聲 Sketch Studies and Lu Yen’s Harmony
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