章甫被譽為清代乾嘉年間臺灣文壇第一人，於文學史上具有開創者的重要地位。本篇論文嘗試映顯章甫筆下，臺灣地景與大陸地景之辯證關係，說明他原受到宦遊文人的影響，偏好將中土秩序與美學汲引至作品裏；然而，隨著個人境遇改變，逐漸調整了敘述手法。除了藉典故將兩岸進行參差對照，突出臺灣的獨特性之外，亦時常設計具備嚮導功能的角色，帶領讀者以嶄新的方式遊觀景致，於有限空間裏延展出未能窮盡的無限層面。在年歲與見識的催化下，呈示出由外拓轉為內省的傾向，一定程度跳脫了宦遊文人之慣性視角，呈現出與傳統有所延續、亦有所離異的審美經驗。

Zhang Fu is regarded as one of the most important literary figures in Taiwan during the Qianlong and Jiaqing periods of the Qing dynasty. His Ban Song Ji is the first published indigenous author’s collection of poems in his own name, marking a significant milestone in literary history. This thesis takes Zang Fu’s landscape writing as the primary object of analysis. It argues that his early works were shaped by the influence of literati officials, reflecting an inclination to incorporate imperial order and aesthetics into his writing. However, as his personal experiences evolved, he gradually adjusted his modes of travel and narrative techniques. In addition to employing allusion to contrast the two sides of the strait and highlight the istinctiveness of Taiwan, Zhang Fu frequently introduces guiding figures—such as mountain monks, elders, and fishermen— to mediate different perspectives on the island’s landscapes. Over time, with the accumulation of age and experience, his observational mode shifts from outward extension to inward reflection. This transformation enables him to move beyond the inherited perspectives of literati officials and to develop a more differentiated aesthetic sensibility, thereby renewing both the content and form of his writing.