處於銜接傳統與現代交替關鍵的明朝時期，人文風景展示著種種轉換的影像，或顯或隱，不論內涵與形式，都在巨細之間透露出相互呼應的消息，尤其是最能反映各類情境的通俗文學，不但吞吐即時訊息，而且提供背景資料，以及追蹤指南。因此，本論文擬連結儒家經典與通俗文學二者，探討傳統思維在時空易移下的吸納與演化。茲以精研《春秋》的「三言」（《喻世明言》、《警世通言》、《醒世恒言》）作者馮夢龍為關注主體，從轉變的角度，結合時代特質、學術取向、社會樣貌、文本體式、生命情理等多重層面，觀察其所撰《新列國志》之中，承載《春秋》的狀態，並尋繹其脈絡與意涵。

The Ming Dynasty was an era of alternating tradition and modernity. Popular literature was becoming more and more popular, and Feng Meng-long’s Xin Lie Guo Zhi is one of the representatives. This thesis will take Xin Lie Guo Zhi and Confucian classics Chun Que as examples to discuss the acceptance of Confucian thinking in popular literature at that time. The content includes: analysis and comparison of the characteristics of the times, social influence, writing characteristics, and humanistic care of Chun Que and Xin Lie Guo Zhi in angles of historical events, academic development, and literary performance.