餘者的故事：陳映真小說中的性／別

The Stories of the Rest Gender/Sexuality in Chen Yingzhen’s Fictional Writings

陳映真（1937-2016）一生的書寫行動，體現當代重要的思想與文化課題，就其小說創作而言，也是以一種「文學」的方式從事歷史書寫，記錄冷戰期間第三世界民眾的故事。陳映真的文學創作與台灣社會的變化緊密相繫，毋寧可將之視為立足左翼的社會書寫和文化批判，部分篇章亦可作為知識分子的「心靈史」加以認識，而其小說中形形色色的「後街人物」，更留下諸多意味深長的身影，亟待論述重訪。
本文檢視陳映真1960-80年代的小說，著重考察其中再現的（左翼）女性群像，特別留意文本中不時閃現的「性／別罔兩」和「罔兩情感」。相應於其小說的寫實特質，本文主張採取「寫實」、「描述性」的閱讀策略，援引「罔兩問景」方法論，來解讀陳映真小說中的性／別，以期與採取「寓言式」閱讀取徑的前行研究對話，把握陳映真小說中所記錄的「餘者的故事」（the stories of the rest），進而指出「不帶道德評價」的敘事特色，正體現出陳映真一貫的左翼立場。

The lifelong authorship and practice of Chen Yingzhen (1937-2016) embody the contemporary intellectual and cultural issues of importance. His fictional creation was also a kind of historical writing in literary form, recording the stories of people in the Third World during the Cold War. Chen’s literary creation is closely related to the changes in Taiwanese society. It might as well be seen as a left-wing-based social writing and cultural critique, with some of the pieces being regarded as the“spiritual history”of intellectuals. Meanwhile, the various“backstreet characters”in his stories remain as intriguing images in readers’minds, calling for revisits and discussion. This paper will examine Chen Yingzhen’s fictions between the 1960s and 1980s, focusing on the group image of (leftist) females, while paying particular attention to the“sexuality penumbra”and“penumbra affect”flashing in Chen’s stories. Corresponding to the realistic quality of his work, this paper proposes adopting a“realistic”and“descriptive”reading, while citing the methodology of“penumbrae query shadow,”to expound the gender/sexuality in Chen’s writings, in order to have a dialogue with previous research that adopts“allegorical”reading strategies. This paper attempts to grasp“the stories of the rest”recorded in Chen Yingzhen’s fictions, and to point out how the“none-moral-judgement”narrative feature properly reflects Chen’s consistent left-wing stance.