| 英文摘要 |
The special exhibition Atmospheric, Filming Architecture aims to explore the multifaceted meanings interwoven among moving images, architecture, and urban spaces. Focusing on the theme ''How Architecture Works as a Cinematic Setting,'' this article examines three sets of images filmed at the Administration Headquarters and The Octagon restrooms of the National Taiwan Museum Railway Department. It explores the phenomenon of historical spaces being borrowed in audiovisual works, as well as the multiple meanings generated through curatorial re-translation: CoCo Lee's Di Da Di music video demonstrates the contrasting experience between pop culture and the historical space; fragments from the thriller film The Heirloom document the dilapidated atmosphere of the historical space during its transitional period prior to restoration; and the drama series Crystal Boys uses the historical space to ''substitute'' for the vanished spatial memory of the Taipei New Park restrooms, unexpectedly reconnecting with the ''museum.'' By projecting these three sets of images back onto the authentic historical spaces, the exhibition ensures that the historical space is no longer merely a background setting in the moving images. Furthermore, the moving images themselves become ''spatial archives'' that preserve the historical space within its specific temporal and spatial context. Through curatorial transformation, a mutual dialogue unfolds between the moving images and the historical space, providing audiences with a new viewing experience to re-read the images and experience the historical space. |
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