| 英文摘要 |
This paper focuses on the Ki no Midokyō(Seasonal Imperial Sutra- Recitation) practice to explore the dynamic relationship between official sutrarecitation rituals and court religious practices during the Heian period in Japan. According to the regulations in the Engishiki, the Seasonal Imperial Sutra- Recitation, which primarily involved the chanting of the Great PrajñāPāramitāSūtra (Daihannyakyō), was an official ritual conducted in designated palace spaces during spring and autumn, to pray for the peace and security of the nation. However, a detailed examination of Heian period historical sources reveals that this ceremonial practice was not static but underwent a series of profound transformations. This study finds that, from the tenth century onward, the ritual practices of the Imperial Sutra-Recitation gradually transcended strict state regulations, demonstrating characteristics of significant court religious activities. The ritual’s sponsorship diversified, expanding from being exclusive to the emperor to including other powerful figures such as the empress (chūgū) and the crown prince (tōgū). The ritual’s location also shifted and expanded, moving from state-symbolic venues, such as the Daigokuden and Shishinden, to the emperor’s private quarters in the Seiryōden, and even to religious sites outside the palace, such as Mount Hiei. Furthermore, there was a notable expansion of the sutras chanted; besides the core Daihannyakyō, other texts, such as the Sūtra on Longevity (Jumyōkyō), which offered personal prayers for long life, were incorporated. The evolution of the Seasonal Imperial Sutra-Recitation clearly illustrates the interaction between official Heian period ceremonial practices and individual religious beliefs. This change not only reflects the political reality of power shifting from a singular to a pluralistic structure within the court but also demonstrates how the personal spiritual needs of court members reshaped the framework of state-level rituals. Therefore, Seasonal Imperial Sutra-Recitation was not merely an official ritual but a flexible ritual practice that offers a new perspective for understanding the relationship between state and religion and court religious culture in the Heian period. |