《永樂南藏》對越南佛教的早期影響：以十九世紀《大律藏》重刊的混合體為例

The Early Influence of the Yongle Southern Canon on Vietnamese Buddhism: A Case Study of the Hybridity of the 19th-Century Reprint of the Great Vinaya Canon

越南漢喃研究院現藏有河內黃雲寺《大律藏》木刻版殘本一種，共一百七片，刻有全書60卷中的30卷，共192葉。該木刻版以《大律藏》之名刊刻了漢文大藏經《四分律》一書，在越南十分罕見，迄今為止未見其任何刻本或複本。根據對現存木刻版殘片的研究，可以確定黃雲寺曾在一八六二年組織刊刻了至少一部分《大律藏》木刻版，其中，福田和尚起到了關鍵性作用。而《大律藏》木刻版的底本，經過初步比對其底本應該屬於《永樂南藏》本，而刊刻形式、裝幀方式則是受到《嘉興藏》傳入越南的影響，採用方冊裝幀發行。透過本文研究《大律藏》雕版可以了解《永樂南藏》最早影響到越南的證據，也可以知曉中國佛經版本對於越南佛教的影響。

The Institute of Sino-Nôm Studies in Vietnam currently preserves a fragmentary set of woodblocks for the Great Vinaya Canon(Da lüzang) from Yellow Cloud Monastery in Hanoi. This collection consists of 107blocks, containing 30out of the 60 fascicles of the complete work, totaling 192 leaves. Published under the title Great Vinaya Canon, these woodblocks represent a printing of the Vinaya of Four Categories (Sifen lü) from the Chinese Buddhist Canon. Such an edition is exceptionally rarein Vietnam, and todate, no other extant editions or copies have been identified. Based on research of the surviving fragments, it is confirmed that Yellow Cloud Monastery organized the carving of at least a portion of these Great Vinaya Canon woodblocks in1862, a project in which the Most Venerable PhúcĐiền played a pivotal role. Initial comparative analysis suggests that the master copy for the Great Vinaya Canon woodblocks belongs to the Yongle Southern Canon (YǒnglèNánzàng) edition. However, the carving format and binding style were influenced by the introduction of the Jiaxing Canon(Jiāxīng Dàzàngjīng) into Vietnam, adopting the fāng-cèbinding for circulation. Through the study of the Great Vinaya Canon blocks, this article identifies evidence of the earliest influence of the Yongle Southern Canon in Vietnam and elucidates the impact of Chinese Buddhist canonical editions on Vietnamese Buddhism.