| 英文摘要 |
Tear gas has become a prevalent tool of atmospheric policing in contemporary urban security. By infiltrating the air, it renders the body vulnerable, enacting a suspension of citizenship through the act of“breathtaking”. Building upon political geographer Mikko Joronen’s (2023a) concept of negative sphere-dwelling and anthropologist Tim Ingold’s (2010) discussions of dwelling, wayfaring, and perceiving within the weather-world, this paper redirects analytical focus to the very movements that emerge within and through atmospheric violence. It examines how protesters in the Hong Kong Be Water Revolution (2019–2020) navigated the conflict-ridden urban atmospheres, giving rise to diverse trajectories of affective subjectification. Drawing on affect theory in general and phenomenological approaches articulated by feminist theorist Sara Ahmed (2006) and anthropologist Annemarie Mol (2021) in particular, I explore how protesters undergo bodily transubstantiation in the face of tear gas. Rather than viewing atmospheric policing solely as an oppressive apparatus, I argue that it also has a generative dimension. Protesters entangled with tear gas are shaped by their encounters with atmospheric turbulence and the urban environment, giving rise to dynamic processes of reorientation that open up shared affective spaces of breathing-together (同呼吸tung4 fu1 kap1). Central to this analysis are two material metaphors—eating tear gas (食催淚彈sik6 ceoi1 leoi6 daan2) and resisting like water (如水抗爭jyu4 seoi2 kong3 zaang1)—which illuminate two key modes of body–environment co-constitution: (1) breathing–affective embodiment and (2) somatic–material engagement. On the one hand, protesters’initial encounters with tear gas provoke affective disorientation and fear, which gradually unfold into ethical imaginaries emerged through involuntary breathing, spontaneous care, and collective improvisation. On the other hand, the Be Water Revolution engenders subversive and radicalised bodily practices in tandem with strategic crowd mobilities. Protesters traverse the urban landscape in guerrilla-like fashion, evading police encirclement and attuning themselves to high-risk environments, while simultaneously reconfiguring the social functions and meanings of urban space. The motto resisting like water signifies not only tactical adaptability, but also the fluid reconfiguration of protest subjectivity and perception of bodies-in-motion. Such transformation unfolds along two interrelated dimensions: first, a material reorientation, wherein protesters appropriate everyday objects as resistant matters; and second, a spatial reorientation, through which the body cultivates differentiated and fine-grained geographical sensibilities and kinesthetic intelligence via embodied movement. Hence, although tear gas aims to temporarily“clear”or reoccupy space by constraining breath, the potentialities of movement remain far from exhausted. Protesters subjected to atmospheric violence are not reducible to bare life; they continuously negotiate and recalibrate their relations with socio-material environments. Significantly, seasoned protesters begin precisely from the vulnerability of sphere-dwelling, enacting creative forms of resistance through coordinated actions across both digital and physical terrains. In doing so, they are capable of transforming the affective intensities of atmospheric policing into generative forces and opportunities for social mobilisation. Thus, material metaphors such as eating tear gas and resisting like water provide a critical lens for reconsidering the dispersed and relational nature of political agency within contemporary social movements. By foregrounding breath and material entanglement, this paper proposes a“down-to-earth”theorisation of movement in atmospheric policing that challenges both structurally rigid and static models in the study of contentious politics, highlighting instead the dynamic co-constitution of bodies, materialities, technologies, and atmospheres. |