身體意向與山水空間：韋應物與琅琊山關係探究

The Body Image and The Space of Landscape : An Exploration in Relationship between Wei Yingwu and the Langya Mountain

本文探討韋應物詩中的身體意向與琅琊山水之間的互攝關係，即韋應物刺滁期間，具地方感的親身性體驗，以及在此過程中心境之調適與轉化。其次，韋應物與釋子往還於琅琊山水，在此情境脈絡下，他藉觀照自然而體悟佛禪之樂道。作為唐代詩人的個案研究，韋應物於宦隱模式中接受陶潛、謝靈運等自然美學，而具有詩哲的審美態度。職是之故，韋應物與琅琊山之關係，自有一份仕宦之外的身份認同，因而其身體行動、自我修養均為生命實踐，回歸自然的當下體驗。

This paper discusses the interactivity between Wei Yingwu’s body image and Chuzhou’s landscape. More specifically, it analyses Wei’s personal experience with indigenous factors in Chuzhou and psychological adaptive process in the period of serving as Chuzhou’s prefectural governor. Simultaneously associating with Sangha and appreciating landscapes, Wei had gradually comprehended the nature and tasted the joy from Buddhist wisdom. As a case in study of Tang’s poets, Wei had been influenced by the natural aesthetics from Tao Qian and Xie Lingyun in his own conscientious but unfettered career. This paper believes, from Langya’s landscape, Wei had found identities out of his career life, and therefore his physical activities and self-cultivation can be regarded as present experiences when he had already immersed into the nature.